An early declaration of war on narrative cinema, using a barrage of visual and acoustic elements while at the same time juggling ironically - as he still does - with the term ‘avant-garde’. A number of other preferences and obsessions were evident at an early stage, e.g. the mind-numbing habit of having his people stumbling and screaming around: life as a race track. His films likewise feature a lot of theatrical and cryptic outpourings. No wonder that they failed at the box office. No wonder either, however, that Schlingensief was attracted to theatre.
Length 71 minutes
Irene Fischer | Mathias Colli | Alfred Edel | Anna Fechter | Norbert Schliewe | Vladimir Konetzny | Christoph Schlingensief | Sergej Gleithmann