Movielogr
Ferrari (2023)
Directed by Michael Mann
Twitter Facebook Google+Most recently watched by VicnaLobster, sleestakk
Overview
Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.
Rated R | Length 131 minutes
Actors
Adam Driver | Penélope Cruz | Shailene Woodley | Gabriel Leone | Sarah Gadon | Jack O'Connell | Patrick Dempsey | Giuseppe Festinese | Michele Savoia | Valentina Bellè | Tommaso Basili | Andrea Dolente | Lino Musella | Brett Smrz | Massi Furlan | Peter Arpesella | Giuseppe Russo | Luca Della Valle | Andrea Bruschi | Giuseppe Bonifati | Agnese Brighittini | Samuel Hubinette | Leonardo Caimi | Gianfilippo Grasso | Daniela Piperno | Alessandro Cremona | Derek Hill | Jacopo Bruno | Domenico Fortunato | Damiano Neviani | Franca Abategiovanni | Marino Franchitti | Luciano Miele | Alessandra D'Elia | Giuseppe Attanasio | Marco Maccieri | Andrea Fiorillo | Marc Gené | Jonathan Burteaux | Massimo Scola | Javier Cornelio Merida | Wyatt Carnel | Tommaso Paolucci | Alessio Cioni | Biagio Caruso | Maurizio Cardillo | Alice Zanini | Lulu Najafi | Uladzislava Keizereva | Edoardo Beraldi | Gabriel Noto | Alfredo Benedettini | Carlo Fei | Robert Steiner | Erik Haugen | Ben Collins | Daniele Carbone | Modesto Menabue | Massimo Bottura | Pietro Corradini | Andrea Volpetti | Francesco Gorga | Pietro Piccinini | Edoardo Golemi | Filippo Marchi
Viewing History (seen 1 time)
| Date Viewed | Device | Format | Source | Rating |
|---|---|---|---|---|
| 12/24/2023 | Movie Screen | Digital | Theater | 8 stars |
| (Average) 8 stars |
Viewing Notes
Had to card the entire row behind us five minutes into the film for talking. Sheesh. You’re in a fucking Drafthouse ya goddamn oldsters.
I thought the movie was great. I might try to see it again in an Atmos theater but the screentimes are far and few between in any sort of premium format screen at AMC.
It’s interesting to mentally contrast this with Scott’s NAPOLEON: two very different approaches to a biography. While the scale and focus of Mann’s is smaller and more personal, it does what Scott’s doesn’t, which is to bring the subject into focus during a critical time period in his life. However, it lacks a lot of the spectacle of Scott’s NAPOLEON.
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