Rating: 9 stars
Seen 3 times
A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age in 1969 Los Angeles.
Rated R | Length 161 minutes
Michael Madsen | Brad Pitt | Dakota Fanning | Al Pacino | James Remar | Vincent Laresca | Clifton Collins Jr. | Leonardo DiCaprio | Kurt Russell | Bruce Dern | Luke Perry | Leslie Bega | Timothy Olyphant | Damian Lewis | Zoe Bell | Rumer Willis | Danielle Harris | Omar Doom | Nicholas Hammond | Brenda Vaccaro | Lew Temple | Emile Hirsch | Maurice Compte | Spencer Garrett | Martin Kove | Scoot McNairy | Rebecca Gayheart | Clu Gulager | Damon Herriman | Marco Rodríguez | Dreama Walker | Austin Butler | Sydney Sweeney | Costa Ronin | Lena Dunham | Ramón Franco | Craig Stark | Hal Dion | Madisen Beaty | Natalie Cohen | Margot Robbie | Harley Quinn Smith | Eddie Perez | Nichole Galicia | David Steen | Lorenza Izzo | Christopher Hunt | Peter Neil | María Birta | James Landry Hébert | Keith Jefferson | Chad Ridgely | Samantha Robinson | Gilbert Saldivar | Monica Staggs | Nicholas Walker | Hunter Jones | Andrea Bensussen | Mike Moh | Tom Hartig | Richard Allan Jones | Rebecca Rittenhouse | Margaret Qualley | Caitlin Herst | Kate Berlant | Lisa Dee | Bruce Del Castillo | Brianna Joy Chomer | Dave Silva | Gary Private | Lucia Oskerova | Kansas Bowling | Parker Love Bowling | Dallas Chandler | Suzanne LaChasse | Rafał Zawierucha | Johnny Otto | Breanna Wing | Christopher Arminio | Brian Patrick Butler | Mikey Madison | Julia Butters | JLouis Mills | Gabriela Flores | Inbal Amirav | Bomber Hurley-Smith | Dallas Jay Hunter | Jennifer Churchich | David M. Edelstien | Katarina Pavelek | Eddie J. Rangel | Elisabeth Ferrara | Miguel Fasa | Michael Vincent McHugh | C. Ronald McPherson | Michael Graham | Rachel Redleaf | Robert Broski | Jordan Saria Oram | Maya Hawke | Martin Abrahams | Cassidy Vick Hice | Aundrea Smith | Raul Cardona | Rage Stewart | Jason Catron | Kasey Landoll | Juliette Kida | Veronika Mindal | Bridie Latona | George Thomas Mansel | William Pierce | Zander Grable | Michael Thomas Cox | John Luder | Victoria Pedretti | Zack Whyel | Mark Krenik | Victoria Truscott | Courtney M. Moore | Alicia Karami | Weston Razooli | Jasen Salvatore | Daniella Pick | Kerry Westcott | Penelope Kapudija | Daniel Callister | Trevor Wooldridge | Regina Valitova | Chase Levy | Danielle Krett | Jeff Jocoy | Will Elkins | Angela Cela | HaleyRae Christian Cannell | Jacob Antolini | David Delagarza | Philip Harville | John Rabe | Josephine Valentina Clark | Forrest Jade | Dyani Del Castillo | Sheila M. Lockhart | David Wieler | Jake Ersek | R.J. Asher | Don Pecchia | Kenneth Sonny Donato | Mayra-Alejandra Garcia | Amber Kahwaji | Sean Baker | Cailan Robinson | Miranda Dos Santos | Alexander Tassopoulos | Gina Omilon | Tom David | Chris Scagos | Edward Headington | Nas Mehdi | James T. Schlegel | Lisa Y. Sheeler | Julyah Rose | Hayley Malia Johnson | Sarah May Sommers | Adrian Dev | Carolina Vargas | Alina Zilbershmidt | Jennifer Moxham | Emilee Bickert | Christina Sergoyan | India Everett | Rachael Wotherspoon | Shannon Elizabeth Stone | Alfredo Tavares | Ruby Rose Skotchdopole
Came down for the only 35mm screening in town (which I didn’t even know until I did a search over the weekend for theaters screening 35mm; Logan has done *zero* promotion for this 35mm print). Despite some projection issues* (mainly out of focus during the opening sequences then later when the lower half of the screen would fall out of focus) this was pretty neat to see. The print, having several screenings already since last week, had a few scratches and lines with I actually liked and it was not a distraction (unlike the occasional out of focus moments).
This second viewing solidified this film being one of my favorites of the year. Not having to concentrate so much on the story and where it was going allowed my mind to observe more within each scene and really get absorbed into the atmosphere. The 35mm showing gave it a dream-like quality. This was especially effective during the Sharon Tate sequence when she goes to the theater.
After the recent Bruce Lee controversy blow-up this week I really honed in on that scene. First, it’s still amazing and that one take is terrific. Mike Moh totally nails his BL portrayal. I can understand Shannon’s dismay over her father being portrayed in this fashion (he’s her father!). Yet I can also understand why he was in this fuzzy flashback of Cliff’s. Also seeing people state that Lee was not redeemed in this story which is a weird take, IMO. Lee is shown later training Tate for a scene in which she’s very proud of (noted by her reaction and the audience’s reaction when she watches in the theater) then later when Lee is training with Jay Sebring. BUT…. but Bruce Lee doesn’t need redemption in this story! He’s Bruce Lee! And it’s not his story.
I’ve appreciated the takes that express how Tarantino has humanized Lee while depicting him as he was. I’ve seen plenty of BL interviews (hell, I watched a half dozen BL documentaries last year alone) where Lee is confident, charismatic, charming and boastful. Even if one believes this depiction is somehow a mockery of Lee it’s not gonna tarnish the legacy of one of the most important heroes of the East *and* West of the last century. What’s more wild is there have been plenty of depictions of BL over the years that have been far worse. And I’m still not thrilled that his estate (managed by Shannon) licensed his likeness to sell whiskey from beyond the grave.
One more thing on the mockery bit. I’ve read where audiences were laughing during the fight scene and usually at Bruce for his accent and mannerisms. My audience was laughing in both screenings. I was chuckling, too. While I can’t say what the others were laughing at specifically I was smiling at the entire ridiculousness of it; the spot on performance of Bruce plus Booth’s bravado to call him out and throw down. Bruce’s legendary hot-headedness on full display combined w/Booth’s fuzzy memory then Janet (Zoe Bell) rushing in made for an amusing sequence. Was my audience laughing at Lee’s accent and/or mannerisms bc the inherent racism (the “oh haha Chinese man speak and act funny” reaction) I cannot say.
I can only state my reaction was how I could totally see something like this going down; recall that when Lee was on Green Hornet he was still trying to prove himself in Hollywood, that he was better than what he was given and was criticized for upstaging Van Williams. Things soured for Lee after the cancellation of the series that he rebuke Hollywood and returned to HK to make his first feature. So that entire scene, even as a hazy flashback in Cliff’s memory, is a confrontation I could imagine happening. Former stuntman Gene Lebell who worked on Hornet has plenty of stories very similar to the one we see in the movie.
Anyways, that’s my piece on the Bruce Lee controversy. I grew up in an era that idolized him (my best friend studied martial arts and had posters of Bruce all over his walls). Bruce was on the cover of all the martial arts magazines (this is 10 years after his death!). Having watched all those documentaries, I understand the significance of the legend and the person. He was imperfect but also larger than life. I get why people are upset. But it’s a damn movie. A fantasy movie at that. One that plays with the timeline and ideas of that timeline. Yet it’s Tarantino’s sandbox and I enjoyed what he gave us, a wonderful what could’ve been.
Now don’t get me started on the ignorant masses unaware of who or what Charles Manson and his family is or was. That stuff is just baffling to me. Then again I guess they don’t teach true crime in schools.
I’m already looking forward to seeing this film again… in a less crowded theater to soak it up even more. At the end of this screening the woman sitting behind got up right after the title card hit at the end and said “stupid!” hahahahaha
* a couple of women were noticeably agitated by this in the early goings and ultimately got up and left after 10 minutes with their tubs of popcorn and sodas. I’m guessing they didn’t know it was 35mm or were unwilling to be patient.